Brian

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Low-key and understated, this beautiful book ... is a civilised and melancholy document that slowly progresses towards a sense of enduring, going onwards, and even new life. It feels like a healing experience.’ I loved the narration style, reflecting (yet at a remove from) Brian's thought process. Quirky and sometimes very funny. The book is at its strongest in portraying the comeradeship, if not really relationship, Brian enjoys with his fellow buffs, many of them socially unconventional, and indeed Brian looks down on some of them in the same way that Beavis has contempt for Butthead. But this book just didn't work for me. It felt more like reading a never ending cinema programme than a novel. But there's no explanation about any of the films, just the briefest of nods towards them. So even though I'd seen dozens of the films in the book and could often decipher what the author was alluding to, even that didn't really help. God forbid you've not got an encyclopaedic knowledge of cinema.

Brian by Jeremy Cooper The quiet joy of a deep interest: Brian by Jeremy Cooper

On paper this shouldn’t really work. A narrative about an introverted loner with a deeply unhappy childhood working in a mind numbing clerical job who finds salvation through watching films. More specifically, watching films every night at the National Film Theatre and becoming part of a group of others who also attend frequently who appear united at least initially less through their love of film but more by the fact they appear socially marginalised. I would say that at least half of the content of the short book is dedicated to film. It’s as if Cooper had amassed similarly voluminous notes to his main character having attended the NFT with similar devotion and wondered if he somehow couldn’t make a book about them. That doesn’t sound promising I know. If you combine that with the affectless written style, which particularly accents Brian’s idiosyncrasies (the tone is almost one of a book written for children about an unhappy mouse) you would think that potentially this book does not have much going for it.

Brian

This is the 60th of the blue-covered fiction titles from Fitzcarraldo Editions, all of which I've read and reviewed, but it sadly confirmed my hypothesis: their taste and mine in Anglophone male writers simply doesn't overlap. This morning I woke up to terror such as I have never experienced before: I was entirely stripped of feeling. I was completely empty, without pain, without pleasure, without longing, without love, without warmth and friendship, without anger, without hate. Nothing, nothing was there anymore, leaving me like a suit of armour with no knight inside. You may also opt to downgrade to Standard Digital, a robust journalistic offering that fulfils many user’s needs. Compare Standard and Premium Digital here.

Brian by Jeremy Cooper | Fitzcarraldo Editions Brian by Jeremy Cooper | Fitzcarraldo Editions

Brian is a middle-aged man, working in a clerical job at Camden Council, with no real friends or, until he, after exercising his characteristic caution and detailed preparation for trying anything new, he enters into the world of classical world movie, joining an informal crowd of film buffs that watch showings every day at the BFI at the Southbank. It is also interesting from a writing technique perspective. Cooper ignores the 'show don't tell' advice for the entire novel, recounting all the events without a single instance of live dialogue. And yet, it was still engaging, and I felt I could easily picture myself in the moment with Brian, and live all the episodes with him. The titular character is an office worker who lives a cautious existence, until, after a long process of thought, becomes a BFI member. Slowly he starts to become enamoured by cinema and the book documents his progress from the 90’s all the way to the present day.

Brian" is the perfect title for this book. The eponymous character is the caricature of a middle-aged British man. Damaged by some indistinct yet ever-present childhood trauma, Brian makes his life as predictable, regular, and free of excitement as possible. Cooper really captures the way that a deep, passionate interest in something can enrich a person’s life. This could be an interest in art, though I don’t think it has to be. It’s the depth of Brian’s engagement which strikes me as most significant.

Brian by Jeremy Cooper | Waterstones Brian by Jeremy Cooper | Waterstones

It was excellent, not in the least bit disappointing, stuffed with tenderness and vengeance. Eastwood, who directed as well as starred, spent much of the film in the saddle and for this feat of skill and endurance promptly became Brian’s movie idol. For other reasons too: the lyricism of the Texan landscape through which Josey Wales pursued without mercy the Unionist guerrillas, killers of his wife and children; and for the depiction of peasant farmers of Missouri as people with hopes and pain. Readers, too, discover a lot about films and filmmakers, about the joys and insights they bring to viewers’ lives, and how, but extension, the arts help people develop rewarding inner lives, even—and especially—for people like Brian. Perhaps the format of the novel Brian is author Jeremy Cooper’s own tip of the hat to Brian’s special appreciation of glacially paced Japanese films in which nothing much happens on the outside, but inside, the characters’ lives are tumultuous yet measured. By the novel’s end—40 years of Brian’s life have been covered—he finally works up the nerve to reciprocate an offered friendship. Anonymously, of course. So as not to draw attention to himself. Brian can also be seen as how art reflects life. Just as Camilla Grudova’s Children of Paradise was a Dario Argento take on a group of cinephiles, Cooper uses a more elegant technique. As Brian loves Japanese films, especially the works of Ozu, the book is a mirror of that genre. Brian (the novel) moves at a leisurely pace taking in all the details from the ordinary to the extraordinary. You may change or cancel your subscription or trial at any time online. Simply log into Settings & Account and select "Cancel" on the right-hand side. In a novel based around a film buff, actual films naturally play a part in structuring the narrative. Like novels, films mean different things to different people, provoke contrasting responses. My wish was to describe the many movies mentioned in Brian in a form which reflected the emotions of my central character, whilst also communicating accurately something of the films’ original essence, and at the same time not undermining cinemagoers’ individual memories of the work. To achieve this I needed my text to have a certain openness and freedom from rigidity. Although the chronology is accurate and all the films titled and attributed correctly, the narrative style allows for focus often on lesser-known aspects and for the insertion of mild inventions. Told entirely from close to the closed point of view of Brian, the isolated buff, the book’s views on life in general and film in particular are his. The merging in Brian of fact and fiction is designed not to confuse readers but to liberate them.With an effort he managed to clear his head of unwanted family memories and continued on into Kentish Town Road. I feel like I should have liked this book more. I feel like I was the target audience for it, but it just didn't work for me.