The Dark Side Of The Moon

Product Information

Matrix / Runout (Runout Side B, variant 1 (stamped, exc. SHVLA 804-B- 6B etched)): QHVL 804 B-3 SHVLA 804 -B- 6B I think my MOFI pressing is much better but this is pretty good and clean, it just feels a little cold But right after we are then treated to the synth and drum intro before the vocals and the UK certainly has more bite here. That coupled with the extra bass from the low end really gives it and edge over the reissue. Release Information: Original stereo issue with a very dark blue cover, and a solid light blue triangle (prism) on the label with "The Gramophone Co., Ltd." text on the edge of the label.

Matrix / Runout (Runout Side A, variant 1 (stamped, exc. SHVLA 804-A- etched )): QHVL 804 A-3 SHVLA 804 -A- This is the special edition with A B on matrix (without stampers, mothers' letters, and without lacquer signs!

Credits (20)

It may not be the true Alan Parsons discrete mix of the album, but I honestly prefer how this one sounds over the original stereo mix, even on a two channel setup. It’s not because of the additional instrument overdubs, but rather how OPEN the soundstage is on this pressing. This first edition was initially pressed by The Gramophone Co. Ltd., from July 1st, 1973 by its legal successor, EMI Records at the same plant. It exists a similar release The Dark Side Of The Moon, with slightly different inside gatefold colours: on bottom left corner, EMI Harvest logos and all the text info around them are blue instead of white. The last and most important thing. Sound. If you put on a record and you don't understand what's going on, where all the bass and treble have gone, where the stage and space are - you have a Danish edition. It's almost an exact copy of the British original in everything. Except sound. Maybe it's a collectible item, but not a listenable one.

This was NOT pressed in Denmark. No one recalls any Dark Side pressings being made and I have yet to see a danish pressing with the outer label dip meaning that those machines werent used here. It does, however, resemble many of the Sonet records from the early 70s pressed in the UK. Eg the theory that it was pressed at a non EMI plant (someone mentioned Decca) is a lot more likely. Gute Soundqualität ( habe jedoch keinen Vergleich, zu älteren Pressungen ), wenig bis keine Nebengeräusche. After enjoying this 2016 cut for several years and, in the spirit of finding the “iconic” analogue cuts, I bought NM copies of MoFi’s 1979 and Kevin Gray’s 2003 pressings. I admit I haven’t heard a UK OG pressing (I’m trying to get a German OG from Michael Ludwig), but this 2016 sounds cleaner, fatter, and clearer than both analogue cuts I own. That’s not to say it’s the best cut out there - obviously - but it is to say these 2016 remasters are phenomenal, especially if you just want great sounding pressings of these records for a great price. I also have the 2016 cuts of WYWH and had ANIMALS, before I replaced it with the “2018” remix (which is the best version of ANIMALS to my ears due to the remix). But the 2016 ANIMALS reissue did sound great for the original mix. Front Cover: Very dark blue with prism. The front cover has been found with three different types of front openings: International E.M.I. catalog number 1E 064 o 05249 appears in small font and parentheses on the cover rear.

There are 3 sleeve opening variations. 1. The right front opening of the gatefold cover is sealed with the two sides glued together. 2. The right front opening of the gatefold cover is sealed with a fold-over flap that is glued inside the opening. 3. The right front opening of the gatefold cover is not sealed. there is three different versions of this 30th anniversary listed on discogs, are there any sonic differences? any of them known to be better pressings?

To sum up, the release seems like a solid, high-quality pressing. It has the bottoms and high frequencies. The only downside is the flatness of the sound. Remastered by James Guthrie and Joel Plante at das boot recording. 5.1 and Atmos mixes by James Guthrie. Found a fairly clean copy of this (A3/B3) in a record store and just couldn't bring myself to not take it home with me. Even though I already owned the 2016 reissue and 2nd Japanese pressing, I wanted to see what all the hype was about regarding the early UK pressings. The 2016 reissue sounds terrific and the vinyl is very quiet, and the early Japanese pressing being fully analog definitely brings out more of the mid range, warmth, and dynamics that the recording has to offer. The right front opening of the gate-fold cover is sealed with a fold over flap that is glued inside the opening. Note: The 4th pressing should have any variations of A-5/B-5 A-4/B-3 or A-6/B-3 stampers in the run-out and "EMI Records Ltd" in the rim text. Variations with stamper numbers higher than 6 in the stampers indicate a 5th pressing or later.

In March, Pink Floyd will release a new deluxe box set to celebrate the 50th anniversary of their classic 1973 album The Dark Side of the Moon. In the end the UK original takes the spot over the 2016 reissue for now. Ill try to give the other releases a head to head again sometime but right now I dont want to spoil the album too much. As my journey continues in search of the best Dark Side of the Moon I finally stumble upon an early UK copy in good condition and decide to buy it. To be specific a third generation A3/B3 from 1973.