Deathconsciousness

Product Information

The bass on this album is a killer. I haven’t listened to a bass sound that menacing, violent and lethal since The Cure’s Disintegration. Besides the songs being quite different from each other, they all form a coherent and impressive whole.

amp;amp;lt;a href="http://theflenser.bandcamp.com/album/deathconsciousness">Deathconsciousness by Have a Nice Life</a> BARRETT Last week, [my son and I] were at the grocery store and he's screaming, "I see the janitor at my school!" That's the biggest deal to him. Have A Nice Life, has, at separate times during this recording, included Thao, Brian, Will and Cody. Bleeping noises from what may well be a metronome wake the listener up from this pit and in comes the in comes the instrumentally heavy doom-inspired 'There Is No Food', as it parts bringing disc one, 'The Plow That Broke The Plains' to a conclusion.SO YOU'RE WRITING NEW MATERIAL. I'M CURIOUS: HAS THE APPROACH TO CREATING THESE CATHARTIC MOMENTS CHANGED OVER THE YEARS? MACUGA I'm not the same Luddite that I used to be, but the difference is I'm still very much giving myself an education in this stuff. Translucent 'Coke Bottle' Clear & Translucent 'Olive' Green Butterfly w/ Gold Splatter (Newbury Comics Exclusive) Manno, Lizze (2020-01-14). "10 Experimental Bands Who Are Redefining Guitar Music". Paste. Archived from the original on 2020-10-20 . Retrieved 2021-01-11. Have A Nice Life - "Deathconsciousness" (Repress)". Enemies List Home Recordings. Archived from the original on 2013-02-21.

Barrett said, "We saw an Italian magazine put it on the best albums of the year list next to Portishead and Meshuggah and thought, 'Oh god, they think we’re a real band!'" [8] Heller, Jason (February 6, 2014). "Have a Nice Life: The Unnatural World". Pitchfork. Archived from the original on 2014-02-07 . Retrieved 2021-01-11.Record comes in a gatefold and (unlike previous editions) features a glossy finish with poly-lined inner sleeves MACUGA I think looking at or listening to what I've been doing lately, there's a new structural muse I've been following. It's kind of like the Mulholland Drive of song structures, where it'll just be something completely different with a tenuous thematic link for the second half of the song, but the catharsis comes from a complete rug pull. Like it almost shouldn't even be the same song because it's an abrupt turn. It follows a similar feeling in an abstract way. It's something I've been experimenting with, like how do I get to a different place by going to a very different place?