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Cork Dork: A Wine-Fuelled Journey into the Art of Sommeliers and the Science of Taste

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Personal feelings about sommeliers aside, I found this a very enjoyable and interesting book. I learned many things, including: The New York Times bestselling author of Cork Dork takes readers on another fascinating, hilarious, and revelatory journey—this time burrowing deep inside the impassioned, secretive world of art and artists When tech reporter Bianca Bosker stumbled across a wine tasting competition, she was blown away by the ability of sommeliers to "after a single sip of wine, identify the grape it was made from, in what year, and where it was produced down to the exact location, within acres." She was also intrigued by their passion for wine, as well as the passion of the many creators and collectors of wine. To determine what made wine so special to these people, she gave up her job and decided to try to become a sommelier herself. Starting as a 'cellar rat', storing and retrieving bottles of wine, she slowly works her way into the wine world. She eventually attends exclusive tasting groups and visits expensive restaurants and dinners for dedicated wine collectors. She also learns about the science of wine tasting and wine creation. This is the story of her experiences and what she learned.

With no common sense we promptly opened a bottle of Chardonnay. I'm pleased to say we only had a small glass and saved the rest. :-) The Chablis was the better of the two wines and we would certainly buy it again. Summary: Light, funny, and engaging mix of personal experience, history and science in the style of Mary Roach. In this smart and sharply observed book, Bianca Bosker takes us on a marvelous journey through the mad, manic, seductive subculture of wine and wine lovers. It’s also a deeply felt story of her own experience, told with great heart and wit.”– Susan Orlean, author of The Orchid ThiefYou’ll never feel lost in front of a wine list again." –Cynthia Graber and Nicola Twilley of " Gastropod ," via The Atlantic In Get the Picture—curious but not naïve, gossipy but generous, critical but admiring, hilarious but profound—Bosker probes the human thirst for art, examines the addictive high it gives, and rescues the unfashionable idea of beauty, of the pleasure of creation, from the theorists and the marketeers. This book is sheer pleasure: the best book I've ever read about contemporary art.” —Benjamin Moser, Pulitzer Prize winning author of Sontag, and The Upside-Down World: Meetings with the Dutch Masters There are so many Wine Economists in the US that there is an American Association of Wine Economists (p. 212), which (not for the first time) made me wonder why there are so many fun and fascinating professions that my high school guidance counselor was seemingly unaware, and therefore failed to recommend that I go into.

This book is in a familiar format for a certain category of non-fiction books, which is: Author stumbles on obscure subculture operating quietly but openly, usually, in New York City. Author investigates subculture and becomes fascinated. Author learns about the fiercely competitive high-stakes championship competitions of the subculture. Author takes it on his- or herself to enter, train, and perhaps even win fiercely-competitive high-stakes championship of the subculture, even though he or she is a newcomer and people normally train for years and/or endure many failed attempts before winning fiercely-competitive etc. With boundless curiousity, humor, and a healthy dose of skepticism, Bosker takes the reader inside underground tasting groups, exclusive New York City restaurants, California mass-market wine factories, and even a neuroscientist’s fMRI machine as she attempts to answer the most nagging question of all: What’s the big deal about wine? What she learns will change the way you drink wine--and, perhaps, the way you live--forever. Cork Dork was pitched to me as a text about the rigorous "athletic" training individuals undergo to establish sommelier expertise. I imagined a mostly palatable chronicle of a journalist's journey (not unlike Supersize Me) into the bowels of a subcultural community. Cork Dorkis a brilliant feat of screwball participatory journalism and Bianca Bosker is a gonzo nerd prodigy.This hilarious, thoughtful and erudite book that may be the ultimate answer to the perennial question of whether or not wine connoisseurship is a scam.” –Jay McInerney, author of The Juice An award-winning journalist obsessed with obsession, Bianca Bosker’s existence was upended when she wandered into the art world—and couldn’t look away. Intrigued by artists who hyperventilate around their favorite colors and art fiends who max out credit cards to show hunks of metal they think can change the world, Bosker grew fixated on understanding why art matters and how she—or any of us—could engage with it more deeply.

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This book freaked me out. Bosker’s accessible, conversational spelunking into the world of contemporary art so powerfully rehydrated the PTSD in me between the little kid artist I once was with the self-consciously constricted thinker I became in art school that at one point I simply had to put it down, shaken.If you’ve ever wondered 'what happened' to art—galleries, critics, collectors—and, of course, artists—then this book is a very companionable start. It’s also very funny, to say nothing of very vivid. And, confoundingly, very, very difficult to put down.”— Chris Ware, New Yorker artist/writer, author of Building Stories and Whitney Biennial selectee (2002) I am a journalist by training and a type-A neurotic by birth, so I started my research the only way I knew how: I read everything I could get my hands on, carpet-bombed sommeliers' in-boxes, and showed up at places uninvited, just to see who I would meet." The resulting book is a delightful blend of science, memoir and encounters with people who are deadly serious about wine. Taste and especially smell are underdeveloped human senses, but it is possible to train them: at the end of the book Bosker gets in an fMRI machine and proves that – like a London taxi driver with route-finding – there’s evidence of her brain having formed advanced connections in the areas involved in taste. Everyday wine drinkers may be particularly interested in the discussion of price versus quality, and the book made me think about how the passing pleasures of the flesh are still worth celebrating. Throughout the book, Bosker is not only drinking wine and having a good time, but veers off into exploring many wine-related areas. The science of smell, and of taste. The type of people who are avid wine collectors. The new controversial practice of creating whatever type of wine you want in a factory, including being able to replicate some very expensive wines. The terminology of sommeliers and wine merchants (necrophiliacs, hand sells, trigger wines, and cougar juice, for a few). And what to watch for when dealing with a sommelier.

When you inform your friends and relatives that you have left your stable job as a journalist to stay home and taste wines, you will begin to get concerned phone calls. You say: I’m going to hone my senses and find out what the big deal is about wine. They hear: I’m quitting my job to drink all day and improve my chances of ending up homeless.” She is obsessed and tenacious. She somehow wrangles her way into sommelier competitions when she has never served before. She gains access to a scientific conference on smell (and the impact on the brain) in Switzerland. She talks researchers in South Korea into taking an MRI of her brain while sending her sips of wine via a tube to see what areas of her brain light up. The woman who INVENTED the WINE AROMA WHEEL invites Bosker to her KITCHEN to teach her how to find “asparagus” when tasting. I loved this book. It’s not just about wine. It’s about learning how to listen to your senses, to more deeply experience and appreciate the world around you, and everyone could use another glass of that.”– Mary Roach, author of Gulp Pairings: 2015 Pedernales Texas Albarino & 2014 Silverado Vineyards Petit Verdot. I selected both of these wines because they are unlikely gems in the wine world, just like Bianca Bosker’s Cork Dork. Heat: An Amateur's Adventures as Kitchen Slave, Line Cook, Pasta-Maker, and Apprentice to a Dante-Quoting Butcher in Tuscany, by Bill Buford

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Professional journalist and amateur drinker Bianca Bosker didn't know much about wine—until she discovered an alternate universe where taste reigns supreme, a world of elite sommeliers who dedicate their lives to the pursuit of flavor. Astounded by their fervor and seemingly superhuman sensory powers, she set out to uncover what drove their obsession, and whether she, too, could become a “cork dork.” Beaten, Seared, and Sauced: On Becoming a Chef at the Culinary Institute of America, by Jonathan Dixon On how to open a bottle of sparkling wine: “The cork should be twisted and released into a napkin with a pfft sound no louder than—and these are the technical terms I was given—a ‘nun’s fart,’ or ‘Queen Elizabeth passing gas.’” For readers of Anthony Bourdain, Susan Orlean, and Mary Roach, a surprising, entertaining and hilarious journey through the world of wine. Like many of us, tech reporter Bianca Bosker saw wine as a way to unwind at the end of a long day, or a nice thing to have with dinner and that was about it. Until she stumbled on an alternate universe where taste reigned supreme, a world in which people could, after a single sip of wine, identify the grape it was made from, in what year, and where it was produced down to the exact location, within acres. Where she tasted wine, these people detected not only complex flavor profiles, but entire histories and geographies. Astounded by their fanatical dedication and seemingly superhuman sensory powers, Bosker abandoned her screen-centric life and set out to discover what drove their obsession, and whether she, too, could become a cork dork.

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