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It looks like a fantastic spring weekend for us and I hope Disco Cherry puts some light in your life as well. Until the next time…ENJOY! Album: Disco Cherry
a b Braunstein, Peter (November 1999). "DISCO". American Heritage. Vol.50, no.7. Archived from the original on February 5, 2010 . Retrieved February 5, 2010. Official Singles Chart Top 50 - 04 May 1975 - 10 May 1975". officialchart.com. Archived from the original on February 25, 2021 . Retrieved January 19, 2021. Harmonically, disco music typically contains major and minor seven chords, [ citation needed] which are found more often in jazz than pop music. The "disco sound" was much more costly to produce than many of the other popular music genres from the 1970s. Unlike the simpler, four-piece-band sound of funk, soul music of the late 1960s or the small jazz organ trios, disco music often included a large band, with several chordal instruments (guitar, keyboards, synthesizer), several drum or percussion instruments (drumkit, Latin percussion, electronic drums), a horn section, a string orchestra, and a variety of " classical" solo instruments (for example, flute, piccolo, and so on).Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco was instrumental in the development of electronic dance music genres like house, techno, and eurodance. The Eurodisco song I Feel Love, produced by Giorgio Moroder for Donna Summer in 1976, has been described as a milestone and blueprint for electronic dance music because it was the first to combine repetitive synthesizer loops with a continuous four-on-the-floor bass drum and an off-beat hi-hat, which would become a main feature of techno and house ten years later. [68] [69] [111] According to Peter Braunstein, the "massive quantities of drugs ingested in discothèques produced the next cultural phenomenon of the disco era: rampant promiscuity and public sex. While the dance floor was the central arena of seduction, actual sex usually took place in the nether regions of the disco: bathroom stalls, exit stairwells, and so on. In other cases the disco became a kind of 'main course' in a hedonist's menu for a night out." [32] At The Saint nightclub, a high percentage of the gay male dancers and patrons would have sex in the club; they typically had unprotected sex, because in 1980, HIV-AIDS had not yet been identified. [36] At The Saint, "dancers would elope to an un[monitored] upstairs balcony to engage in sex." [36] The promiscuity and public sex at discos was part of a broader trend towards exploring a freer sexual expression in the 1970s, an era that is also associated with " swingers clubs, hot tubs, [and] key parties." [37] By describing the music, drugs, and liberated mentality as a trifecta coming together to create the festival of carnality, Brewster and Broughton are inciting all three as stimuli for the dancing, sex, and other embodied movements that contributed to the corporeal vibrations within the Sanctuary. It supports the argument that disco music took a role in facilitating this sexual liberation that was experienced in the discotheques. The recent legalization of abortion and the introduction of antibiotics and the pill facilitated a culture shift around sex from one of procreation to pleasure and enjoyment. Thus was fostered a very sex-positive framework around discotheques. [42]
DISCO History @ Disco-Disco.com". disco-disco.com. Archived from the original on January 21, 2017 . Retrieved October 27, 2017. PCP, Quaaludes, Mescaline. What Became of Yesterday's 'It' Drugs? – The Fix". Thefix.com. December 30, 2011. Archived from the original on October 27, 2017 . Retrieved October 27, 2017.
It's Gibberish, But Italian Pop Song Still Means Something". NPR.org. Archived from the original on March 18, 2017 . Retrieved April 1, 2017. In Beautiful Things in Popular Culture, Simon Frith highlights the sociability of disco and its roots in 1960s counterculture. "The driving force of the New York underground dance scene in which disco was forged was not simply that city's complex ethnic and sexual culture but also a 1960s notion of community, pleasure and generosity that can only be described as hippie", he says. "The best disco music contained within it a remarkably powerful sense of collective euphoria." [55]
Shapiro, Peter (2000). Modulations: a history of electronic music: throbbing words on sound. Caipirinha Productions. pp. 40–49. ISBN 1-891024-06-X. In Peter Shapiro's Modulations: A History of Electronic Music: Throbbing Words on Sound, he discusses eroticism through the technology disco utilizes to create its audacious sound. [39] The music, Shapiro states, is adjunct to "the pleasure-is-politics ethos of post- Stonewall culture." He explains how "mechano-eroticism", which links the technology used to create the unique mechanical sound of disco to eroticism, set the genre in a new dimension of reality living outside of naturalism and heterosexuality. a b Ellis, James (October 27, 2009). "Biddu". Metro. Archived from the original on September 2, 2011 . Retrieved April 17, 2011. Ihsan Al-Mounzer: The godfather of belly dance disco". Archived from the original on October 20, 2021 . Retrieved October 20, 2021.
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Other Motown artists turned to disco as well. Diana Ross embraced the disco sound with her successful 1976 outing " Love Hangover" from her self-titled album. Her 1980 dance classics " Upside Down" and " I'm Coming Out" were written and produced by Nile Rodgers and Bernard Edwards of the group Chic. The Supremes, the group that made Ross famous, scored a handful of hits in the disco clubs without her, most notably 1976's " I'm Gonna Let My Heart Do the Walking" and, their last charted single before disbanding, 1977's "You're My Driving Wheel". It’s Friday, which means it’s DISCO time! From Nu Disco and Funk to Soulful, Rap, and Space Disco, Disco Cherry has everything you need to get your boogie on. The Legacy of Giorgio Moroder, the "Father of Disco" ". Blisspop. Archived from the original on October 19, 2020 . Retrieved December 14, 2020. Lawrence, Tim (March 2011). "Disco and the Queering of the Dance Floor". Cultural Studies. 25 (2): 230–243. doi: 10.1080/09502386.2011.535989. S2CID 143682409. Archived from the original on April 27, 2021 . Retrieved March 20, 2021.
In 1974, New York City's WPIX-FM premiered the first disco radio show. [52] Early disco culture in the United States [ edit ]Paul Gootenberg states that "[t]he relationship of cocaine to 1970s disco culture cannot be stressed enough..." [30] During the 1970s, the use of cocaine by well-to-do celebrities led to its "glamorization" and to the widely held view that it was a "soft drug". [34] LSD, marijuana, and "speed" (amphetamines) were also popular in disco clubs, and the use of these drugs "...contributed to the hedonistic quality of the dance floor experience." [35] Since disco dances were typically held in liquor licensed- nightclubs and dance clubs, alcoholic drinks were also consumed by dancers; some users intentionally combined alcohol with the consumption of other drugs, such as Quaaludes, for a stronger effect.
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