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Boy in a China Shop: Life, Clay and Everything

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He follows up with “As I walked through the factories I was highly aware of this connection between crafts and the process of production within a factory setting. It firmed up my belief that it was the material itself, the clay what it’s undoubtedly at the core of anyone who was involved in making ceramic pots and here I was, in China, experiencing first hand the enormous experience of the staff in producing it. I’m ok with China producing china (the clue is in the name! ) If I was producing clothing or cuddly toys, or for that matter mobile phones, would I feel differently? Who knows? But to produce ceramic from its very birthplace, it was a no brainer” Is Keith Brymer Jones Welsh? At the age of 11, the London-born Brymer Jones made his first pottery object – an owl. It was then that he knew he wanted to be a potter and, after a brief stint as the lead singer of British punk band The Wigs, he became an apprentice for Harefield Pottery in London where he learnt to make ceramics. Thank you to Keith Brymer Jones, Dan Thompson and Marj Hogarth for the development and curation of the exhibition.

to create simple yet stylish products which are pleasing to the eye, practical in the modern home and, above all, make people happy!’ 💕 Keith Brymer Jones is a master ceramicist and design expert who has over four decades of knowledge and experience under his belt. He is the designer behind his award-winning Keith Brymer Jones Word Range and also works collaboratively with every other brand under the MAKE International umbrella. Keith designs every single item on his potter’s wheel before he takes the prototypes to China to work with his colleagues at the factories. Keith’s Word Range has produced over 500 products and it is sold in over forty countries with a large and loyal following. To this day, the Word Range follows Keith’s design philosophy: ‘to create simple yet stylish products which are pleasing to the eye, practical in the modern home and, above all, make people happy!’The exhibition coincides with the publication of his autobiography, The Boy In A China Shop: Life, Clay and Everything, hitting shelves Thursday 3 February 2022. You can also try your hand at making your own clay flowers with Rita Floyd, our latest Newcastle Common artist-in-residence specially selected by Keith Brymer Jones to be in residence during the exhibition and to create a response to his work. Find out more about Rita here. Every chapter of my book is based around an object (usually a pot) that's been significant in my life. It's just at trigger to let me go off in a lot of different directions and tell a few stories. A lot of stories. Dyslexia. The art teacher who changed my life. My Mother. My Father. A life-changing job interview with a man who lay under his car throughout. That video. His ability to empathise with the other potters is striking. Perhaps this is because his route into pottery has been unconventional too. “I’ve never had a formal training, as such,” he tells me. When he was first announced as a judge on the show, a lot of people (shall we call them ceramicists?) were nonplussed, he explains. “Who the bloody hell is Keith Brymer Jones? Never heard of him. Oh, he must be one of those business types.” He spent most of his career making commercial pots out of limelight. Now he’s written an autobiography in the hope that he will demonstrate that there are other paths into creative careers that don’t involve art school.

Keith will be releasing his autobiography "Boy in a China Shop" on the 3rd February 2022. In his book Keith will be covering his life from early childhood, his early years, meeting his wife Marj, through to finding fame with his pottery. Here is the official blurb on the book;Ballet dancer. Front man in an almost famous band. Judge on The Great Pottery Throwdown. How did all that happen? In these younger and more vulnerable years, his father gave him a piece of advice that he has been turning over in his mind ever since. “Make sure you do something you really enjoy, because you will be doing it for 85 per cent of your life.” Brymer Jones’s dad had never enjoyed his own job, and had been frustrated by it for the rest of his career. So after leaving school, Brymer Jones put an ad in the Ceramic Review: “Young, enthusiastic eighteen-year-old seeks apprenticeship in a pottery.”

Perhaps that’s why the Throw Down gets emotional. “Just thinking about it now, maybe that’s what it is with their work. They bring this work to me, and it’s so wonderful. It’s like, ‘Oh, I see you now, I get it. Look, you can do this.’ ” He pauses. “It’s a brilliant, brilliant feeling.” I discovered The Great Pottery Throwdown on HBO here in the US in January 2022 and binge-watched all five seasons in nothing flat. TGPT was a welcome respite from the seemingly endless procession of depressing news – inflation, Ukraine, mass shootings, Covid, climate change... TGPT was the antidote I needed – a gentle show with gentle people and low stakes (no million-dollar prizes or scheming contestants here). At the helm, some wonderful hosts and judges who encouraged and supported the non-combatants with sensitivity and good humor, and sometimes even tears. That is, judge and master potter Keith Brymer Jones' tears.

In addition to the Word Range, Keith has finally introduced his Studio Range in Summer 2023. A gorgeous range of stoneware products which has a more organic aesthetic compared to his Word Range. Every chapter of my book is based around an object (usually a pot) that's been significant in my life. It's just a trigger to let me go off in a lot of different directions and tell a few stories. A lot of stories. Dyslexia. The art teacher who changed my life. My Mother. My Father. A life-changing job interview with a man who lay under his car throughout. That video. They obviously couldn’t do it in words, I say. “No! Of course not! They still call me a c*** now!” he tells me.

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