Learning To Swim

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I recognize Vincenzi's frustration all too well. My own novels are romantic comedies. They're about women who are in the throes of relationship problems, or facing huge moral dilemmas. Comic on the surface, they are, at heart, love stories - and that's precisely what I want to write. I am proud to be writing romantic fiction.

And repercussions are just what Guy doesn't need: his wife, Jane, is moving swiftly from slightly eccentric to downright peculiar, their three-year-old daughter seems set on destroying Jane's sanity, and now even God's gone quiet on him. Families are a funny thing. You never know what goes on behind closed doors, and never has this been more true than in the story of Abigail Jex (née Onions) and her memories of her childhood friend Frances Radley. I remember writing about the negative stereotyping of romantic fiction as a journalist in 1996. Now, eight years on, and on the other side of the industry, I can see that nothing has changed. Romantic fiction will carry on being dismissed in literary and academic circles, and its detractors will still characterise it as fluff. Romantic fiction is uniquely unfortunate in that no other literary genre is judged by the worst examples, rather than the best. No one feels the need to sniff at historical fiction or science fiction, however dubious the quality - those genres are accepted for what they are. But it's hard to get romantic fiction reviewed or discussed in a way that isn't patronising, which is a problem that, say, crime writers don't have. As for Nina, she's having enough trouble with her son, James. He's got exams looming, a new girlfriend with pneumatic breasts and now, it seems, he's on drugs. Nina certainly won't welcome any ghosts from the past.However, if a man writes a romantic novel then a very different attitude prevails. Sebastian Faulks's Birdsong, to my mind, is no more than a piece of excellent romantic fiction. So is Captain Corelli's Mandolin by Louis de Bernières. Had they been written by women I suspect they would not have been heaped with the literary praise that they were.

Sometimes I wondered why Abigail was so drawn to the Radley family. They didn't seem that interesting to me and they kept making her feel uncomfortable. The fact that they completely contrasted with her own family is a factor, but it doesn't seem enough.Abigail, when we meet her, is a cellist in an established orchestra and it is not until she attends an after show party and is introduced to Marcus Radley that we start to get a glimpse into the life of this young woman. When she was younger, Abigail was reserved and had few friends. An only child she was serious and had little in common with her peers. Then we are told of her fledgling friendship with the new girl, Frances. I really enjoyed reading this. I wasn't glued to the book wanting to know what would happen next; instead I read it slowly as though savouring a good wine. Life isn't going smoothly for anyone. But when Hugo, long-forgotten agent of misfortune, threatens to pay them all a visit, disaster seems unavoidable. People are incredibly insulting about romantic fiction," says Penny Vincenzi. "I'm often told by complete strangers at dinner parties, 'Oh, I'd never ever read any of your books.' If I was a fashion designer, I don't think they'd say, 'I'd never wear any of your clothes.'" Fr om the highly-acclaimed author of SMALL PLEASURES - longlisted for the Women's Prize for Fiction 2021

Gorgeous... If you're looking for something escapist and bittersweet, I could not recommend more' Pandora Sykes on Small Pleasures But, on the flip side, it will also continue to be the biggest selling genre both in the UK and around the world, and I am delighted to be part of that. Before we know it Abigail has found herself taken under the wing of this family. She is in awe of Frances' brother, Marcus (known only as Rad), and finds herself subsumed into the daily lives of the Radley family. As an honorary member of the family she is privy to much of their daily life, but some of the intricacies are lost on her.

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Clare Chambers's writing reads so effortlessly, it's like you're reading something you wrote yourself, as she adds some thoughts about life that you'll probably identify with. Chambers' eye for undemonstrative details achieves a Larkin-esque lucidity' Guardian on Small Pleasures Clare began her career as a secretary at the publisher André Deutsch, when Diana Athill was still at the helm. They not only published her first novel, but made her type her own contract. In due course she went on to become a fiction and non-fiction editor there herself, until leaving to raise a family and concentrate on her own writing. Some of the experiences of working for an eccentric, independent publisher in the pre-digital era found their way into her novel The Editor's Wife (Century, 2007). When her three children were teenagers, inspired by their reading habits, she produced two YA novels, Bright Girls (HarperCollins 2009) and Burning Secrets (HarperCollins 2011). But most of all, I wasn't particularly captivated by the Birdie story. The character wasn't very developed so I didn't feel like I got to know her at all. And I found it strange that she started spending all her time with the Radleys, not to mention the fact that she never spoke to Abigail again after she was broken-hearted and instead started going out with Rad all by herself. What kind of a sister does that?