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The Batman

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On the flip side, some of the best imagery is when Batman inserts micro imaging chips into Selina’s eyes. Look at the sharpness of the screen photo that even when enlarged shows excellent detail in the circuit board and eyebrows. This clip is easily overlooked in the scene but provides some of the highest-quality images in the movie. focusing on story construction and development while also touching on casting, visual design, and other fundamentals, while lots of candid on-set Batman's final stretch, which again aims for a Se7en-like coda after a perceived early resolution to the Riddler saga before lurching rendered faithfully on home video and that alone makes it worthwhile. Chances are good that if you saw The Batman in theaters, this 4K

Since it's more of a tonal and atmospheric film than a purely character-driven one, The Batman will likely register as an exciting new Batman was shot using Panaflex cameras on 35mm film and has recently been cleaned-up and scanned at 4K the result of which has been used for this Ultra HD Blu-ray release. The disc presents a native 3840 x 2160p resolution image in the widescreen 1.85:1 aspect ratio, and uses 10-bit video depth, a Wide Colour Gamut (WCG), High Dynamic Range (HDR10) and is encoded using the HEVC (H.265) codec. We reviewed the Region free UK Ultra HD Blu-ray release of Batman on a Panasonic 65DX902B Ultra HD 4K TV with a Panasonic DMP-UB400 Ultra HD Blu-ray player.textural qualities where the character's face almost has something of a glittery feel about it. Altogether the elements combine for a striking reveal out

Becoming Catwoman– Zoë Kravitz talks about her casting as Catwoman as well as what she brought to the role (she’s no Michelle Pfeiffer).On May 24, “The Batman” will be available on 4K, Blu-ray and DVD. “The Batman” will also continue to be available to own in high definition and standard definition from participating digital retailers. Deleted Scenes - Two scenes, "Joker / Arkham" (5:53) and "Selina Gets a 44 Below Keycard" (1:53), are presented in

Reeves' The Batman, he at least solidly anchors a film more concerned with tone and atmosphere than air-tight storytelling. Anatomy of the Wing Suit Jump” (6 minutes, 29 seconds – HD) involves a stunt in the film and gives you a glimpse at how it went from idea to reality via the use of drone photography and the ILM Stagecraft LED Volume system. continues his brutal, strategic killing spree that began with a high-ranking Gotham public official, his deeply psychotic words -- both via audio/video Make no bones about it, The Batman is recommended as a theatrical experience. The sheer cinematic feel of the film is one that demands immersion and distraction-free viewing. But at home, The Batman can be best enjoyed in an approximated theatrical setting, with low lighting, surround sound, and the best visual presentation possible. For now, the best quality offered by studios in disc and digital media is 4k resolution with Dolby Vision or HDR10 High Dynamic Range. Here’s a review of The Batman on 4k Ultra HD Blu-ray. VideoThe cast and crew have shared what they'd like in a proper film sequel, though. Pattinson himself wants to see a take on the Court of Owls saga while director Matt Reeves hopes to bring Mr. Freeze to his dark and gritty Batman universe. during the scene introducing Harvey Dent early in the film. This is a terrific presentation in all facets and the perfect compliment to the reference art. Fortunately better looking SteelBooks are on the way, though nothing compares to the simple original That doesn’t sound like it’d encompass three hours, does it? Well…it does. The film’s running time isn’t an issue with me, I love movies that can make three hours seem like one. Christopher Nolan’s Batman films weren’t exactly short. What Reeves has done is to give Robert Pattinson a great avenue for his “signature” look. He’s not going to be one to do a romantic comedy. This role was made for him. And it also gives us a look at the darker side of the character as well as those who oppose him. It’s not a perfect movie, of course. Selina Kyle’s role was more of a distraction than a necessity. She could have easily been brought in for the sequel (this movie is part of a trilogy, of course). Still, seeing some darker and, dare I say it, more realistic villains is something of a breath of fresh air. Who’d have thought? Video: How’s it look? Deleted Scenes (7 minutes, 47 seconds – HD) include a “play all” function and a total of two scenes.

Rounding things out and really setting up the real dilemma here throughout the course of the film is a masked serial killer calling himself “The Riddler” ( Paul Dano) who wants to expose the corruption of Gotham City at its origins and doesn’t care who he has to kill to do so. Plus, he uses social media to get people to listen to him which can be a scary thing itself. I won’t go into much further detail about the full story and plot here in the film, as I feel I already have too much, but let’s just say this is one very intriguing detective story and one of the finer films based on “Batman” that I have ever seen. Matt Reeves has done a great job here and I cannot wait for a sequel. has already been said about the film's formidable running time of 176 minutes but, while The Batman doesn't necessarily feel bloated in third-act interrogation that involves meme-worthy singing. Colors also benefit from the built-in strengths of HDR enhancement even though, by design, the shadows and one of the film's first color assaults. The character's colorful apparel finds a manicured brilliance to purples, oranges, and teals, all ofThe audio in The Batman streamed at an average of 3Mbps, dipping to around 2Mbps and peaking in the 5Mbps range. It’s a rich audio experience that certainly gets a boost the more speakers added. When compared with 2-channel headphone and 2-channel speaker systems the 5.1 and 7.1 channel experience provides a wider spectrum of sound, enhancing the visuals and dialogue clarity. the moment, it could have easily been trimmed by 20-30 minutes with no great loss to the core narrative. This can especially be felt during The Vengeance In The Making– Running nearly an hour (or 1/3 as long as the film itself) this is the most robust supplement in the mix. Nearly every angle is explored from casting to “why do this” to the characters and the actors’ portrayal of them. If you watch only one featurette – make it this. Despite the criticism though, improvements abound here, including Batman’s modus operandi. His detective skills, which were only hinted at in previous films, are front and center here. This is also one of the only Batman films in which the character actually saves the people in front of him instead of helping them indirectly. In the opening of Tim Burton’s Batman, for example, the character witnesses a mugging and then goes after the muggers—not to stop them or retrieve stolen valuables, but to hurt and scare them. But in The Batman, a group of people are trapped under scaffolding in flooded waters, and Batman steps in to save them. That moment, and others that follow, suggest we might see a different Bruce Wayne and Batman in the sequels—someone who’s on the ground, helping those in need. So while The Batman represents a bit of a rough start for this new incarnation of the character, with ample room for improvement, it’s a good one nonetheless.

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