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The Dwelling Place

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I thought it was well written tale of a woman (by the end of the novel is much older unlike in the movie) of strength and impeccable character who overcomes ALL obstacles. So, The Dwelling Place is about the fiercely beautiful and clever Cissie Brodie, who marries her rapist. Ray was inspired to become an actor after seeing John Malkovich in the play Burn This at a West End theatre. Personal Details

Cissie ends up having the baby (at the very same time as Matthew’s wedding reception – SYMBOLISM), and it survives. And man, is Daddy Fischel surprised when she doesn’t want to sell her kid! You get thirty minutes of this:

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One of the funniest things about this miniseries is that everyone else you meet in the entire thing thinks it’s a stupid idea to live in a cave. The priest is like, “…a cave, really?” and the guy who’s clearing out the furniture from the hovel actually lets them take all the furniture into the cave, because he’s like, “…a cave, really?” Many of Cookson's novels have been adapted for film, radio, and the stage. The first film adaptation of her work was Jacqueline (1956), directed by Roy Ward Baker, based on her book A Grand Man. [14] Best part of this entire miniseries: Clive is SUPER SURPRISED that Cissie keeps trying to avoid him, and he keeps chasing her down and pinning her to the ground and to cave walls and stuff, totally indignant. I know it’s a terrible situation, but it’s so badly done that what is supposed to be creepy is hysterically funny instead. What Katie did ...". Newcastle Journal. 30 September 1983. p.1 . Retrieved 30 October 2018– via British Newspaper Archive.

Cookson, Dame Catherine (Ann), (20 June 1906–11 June 1998), author, since 1950". WHO'S WHO & WHO WAS WHO. 2007. doi: 10.1093/ww/9780199540884.013.u177701. ISBN 978-0-19-954089-1 . Retrieved 11 June 2020. A Dinner of Herbs (2000) with Jonathan Kerrigan, Melanie Clark Pullen, Debra Stephenson, David Threlfall and Billie Whitelaw Our John Willie (1980) with Ian Cullen, David Burke, James Garbutt, John Malcolm and Malcolm Terris He went on to appear in a huge range of TV dramas, including the BAFTA-nominated Band of Gold and Peak Practice*. He took a lead alongside Paul Nicholls in the police drama City Central. He's also guest-starred in popular shows such as Waking the Dead, Dalziel and Pascoe, and Murphy's Law.The struggles of Cissie and her family are in stark contrast to the lifestyle of the local gentry. Separated from his wife, Lord Fischer lives in his stately home in comfort and opulence with a son and a daughter – neither of whom he gets on with. His daughter Isabelle hates the isolated existence in the country, while Clive lives only for painting. Catherine Cookson skillfully weaves their fortunes with those of the impoverished Brodies. I’d like to say this is an unusual screencap, but it’s not. We just sort of have to take the movie’s word for it that she’s smart and pretty, since she spends most of the movie staring blankly into space and marrying rapists.

What I enjoyed was that this was a sort of dystopian survival novel . . . except it takes place early in the 19th century. Cissie, 15, is the eldest of eleven children (there were 14, but three died previously) when her own parents and an infant die of fever. This is in the County of Durham in Northeast England, and there are few options for the absolutely destitute. But Cissie will hear nothing of her siblings going "into the Poor Law" -- obviously horrific. So with the help of a kind young wheelwright, Cissie manages to set up house in a cave on the fells ["a hill or stretch of high moorland, esp. in Northern England"]. It's fascinating because it goes into great detail about their belongings, their meager meals, how they make do, a sort of Boxcar Children for adults. In the midst of trying to put an end to the girlfight, Clive falls over on top of Cissie, and apparently his pants fell down in the fracas, because as Isabella screams encouragement like it’s the last hundred yards of the Boston Marathon, Clive rapes Cissie.

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Cookson wrote almost 100 books, which sold more than 123 million copies, her novels being translated into at least 20 languages. She also wrote books under the pseudonyms Catherine Marchant [10] and a name derived from her childhood name, Katie McMullen. [11] She remained the most borrowed author from public libraries in the UK for 17 years, [12] up until four years after her death, losing the top spot to Jacqueline Wilson only in 2002. [13] Books in film, on television and on stage [ edit ] So there's Cissie and her brood, Matthew the Wheelwright, and then Lord Fischel and his mansion and awful (adult) children, Clive and Isabelle. Isabelle is about as evil as a villain can be. Okay, so I don't actually have a problem with Cissie falling in love with the man who raped her given the fact that he was a completely different person by the end, deeply regretted what he had done to her and tried his best to make amends. This is what I do have a problem with: Hot face-smushing action! He moans about how he loves her, even though he could never even consider marrying her. How…sweet? Here, he consoles her for having given up the bairn in exchange for the commute of a sentence for her younger sister. She stole something, whatever.

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