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The Hobbit: An Illustrated Edition of the Fantasy Classic (The Lord of the Rings)

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A brand new revised edition of the best-selling graphic novel based on the enchanting prelude to The Lord of the Rings. What do you mean?” he said. “Do you wish me a good morning, or mean that it is a good morning whether I want it or not; or that you feel good this morning; or that it is a morning to be good on?”

Of course a one volume release was also the best time to create a limited signed edition. And so Eclipse Books made 600 copies and had them signed and numbered by David Wenzel.I looked at it again recently. I then read it through and realised how perfect it is in its simplicity. I was so wrong the first time. Decir ante todo que es una versión adaptada del libro, con lo que es normal que su extensión se reduzca y haya pasajes que se resumen en una página o poco más. Pero aun así, la obra de Tolkien es perfectamente reconocible bajo los trazados de cada viñeta. Basta echar un vistado a un paisaje, a un orco o a un enano para darse cuenta de que estamos observando Tierra Media en todo su esplendor. By some curious chance one morning long ago in the quiet of the world, when there was less noise and more green, and the hobbits were still numerous and prosperous, and Bilbo Baggins was standing at his door after breakfast smoking an enormous long wooden pipe that reached nearly down to his woolly toes (neatly brushed)—Gandalf came by. Gandalf! If you had heard only a quarter of what I have heard about him, and I have only heard very little of all there is to hear, you would be prepared for any sort of remarkable tale. Tales and adventures sprouted up all over the place wherever he went, in the most extraordinary fashion. He had not been down that way under The Hill for ages and ages, not since his friend the Old Took died, in fact, and the hobbits had almost forgotten what he looked like. He had been away over The Hill and across The Water on businesses of his own since they were all small hobbit-boys and hobbit-girls. He was DC's most prolific Batman-writer in the mid-1990s (rivalled perhaps in history by Bill Finger and Dennis O'Neil) - in addition to writing Detective Comics he pioneered the individual series for Robin , Nightwing (which he wrote for 70 issues, and returned to briefly with 2005's #101) and Batgirl , as well as creating the team and book Birds of Prey .

But, what I will say is that this brings the story to life. Well, that’s a bad phrase. Tolkien’s story is already alive when you read it. What I mean is that this presents it in a medium that allows you to physically see it rather than just visualise it. Is that better? No I think not. Let me try again: this provides illustrations to aid with an abridged version of the story; it enhances the experience, somewhat, because the artwork is so appropriate. this book, originally published as three comics, has a really VERY well done adaptation of the book - though, of course, necessarily much reduced in literary value- and exceptionally beautiful artwork with only one or two small shortcomings. As a long time fan of Tolkien since I was a child (having even been a TA in a college-level Tolkien studies class), I'm always interested in how Tolkien is adapted. When I saw this graphic novel edition of the Hobbit, I was very curious as to how the story would play in the medium of the "comic". And I'm actually happy to say that the novel itself comes across really well. The story, characters and plot are all evenly handled. However, a fundmental problem with the medium of comic books would definitely be visual approachability. In a less dense story, you could show the action in the graphics/drawings, and the dialogue in word form. But when there's a linear approach to a story's plot, the graphic medium may not be the best way to handle it...because I found the actual act of reading this book a bit frustrating...having to re-read panels over again because the flow of dialogue and action were a bit confusing (ie, do I read this bubble first? or that one? it seemed to change, depending on the layout. So, hence, minus one star.The Hobbit' is the story of Bilbo Baggins…a quiet and contented hobbit whose life is turned upside down when he joins the wizard Gandalf and thirteen dwarves on their quest to reclaim the dwarves' stolen treasure. It is a journey fraught with danger – and in the end it is Bilbo alone who must face the guardian of this treasure, the most-dreaded dragon Smaug. El cómic posee una edición cuidada y de gran lujo. Es un poco grande para leerlo tumbado, pero por lo demás es una auténtica maravilla que guardaré como un tesoro (anillo) junto al libro original. Creo que es un buen complemento para todo aquel amante de la obra del profesor Tolkien, pues ha sido tratada con respeto y cuidado hasta el más mínimo detalle de vestimenta, paisaje y acción.

What a lot of things you do use Good morning for!” said Gandalf. “Now you mean that you want to get rid of me, and that it won’t be good till I move off.” Good morning!” he said at last. “We don’t want any adventures here, thank you! You might try over The Hill or across The Water.” By this he meant that the conversation was at an end. John Ronald Reuel Tolkien was born on January 3, 1892, in Bloemfontein, South Africa. After serving in World War I, he embarked upon a distinguished academic career and was recognized as one of the finest philologists in the world. He was a professor of Anglo-Saxon at Oxford, a fellow of Pembroke College, and a fellow of Merton College until his retirement in 1959. He is, however, beloved throughout the world as the creator of Middle-earth and author of such classic works as The Hobbit and The Lord of the Rings. He died on September 2, 1973, at the age of eighty-one. J.R.R.Tolkien (1892-1973) was a distinguished academic, though he is best known for writing ‘The Hobbit’, ‘The Lord of the Rings’ and ‘The Silmarillion’, plus other stories and essays. His books have been translated into over 40 languages and have sold many millions of copies worldwide. There are so many fantasy elements, and such drama in this story that it is an illustrator’s dream. David Wenzel clearly has much respect for Tolkien’s story, and has hand painted his hundreds of illustrations in full colour throughout. They are beautiful and very painterly. Here is the cover illustration:

The movie adaptations are even bleaker and more despairing than the book, but this feels more hopeful and full of light than either of them. I already knew I was going to love the bones of the story but I love the direction this took and how the focus remained on Bilbo throughout, rather than the feats of the other characters. The premise," Wenzel said, " was to make one of Tolkien’s character races seem to exist in reality. We found out that there were incidences where dwarfs were integral to moments in history. Some of the hieroglyphics in ancient Egypt show dwarfs making jewelry. Their small hands allowed them to make intricate designs." This version of the Hobbit is quite dense for a graphic novel, with a lot of narration. There are some interesting choices in what to include, as goes for any adaptations of prose novels to other mediums, and I probably would have cut some more of the endless descriptions of travels and stretched out some more adventures. But it still overall works.

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