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The Lord of the Rings: 50th Anniversary Deluxe Edition: The Classic Bestselling Fantasy Novel

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When I was 15 years old in high school, I had to read "The Hobbit" for an English class. After reading that book, the teacher then let us borrow "The Lord of the Rings". Before I had started "The Return of the King", I had bought my own set of books. After I had read both books, I actually liked "The Hobbit" better than "The Lord of the Rings" at first - because the "The Hobbit" was brighter: a fun, grand adventure with more humor, whereas "The Lord of the Rings" was darker: a serious, grim life and death struggle for world survival. But by the time I was about 16, the historical significance of "The Lord of the Rings" began to appeal more to me. This is especially true if you read Appendices A and B of "The Lord of the Rings", and also read the "The Silmarillion". You begin to understand the rich history of Tolkien's Middle-Earth/ Beleriand creation. How the "The Silmarillion" brings out the significant events of the First and Second Ages, while the events in "The Lord of the Rings" are the culmination of the Third Age...each Age lasting thousands of years and ending with an immensely significant event. The Lord of the Rings is one of the greatest book series ever created, and the non-deluxe hardcover Lord of the Rings Illustrated edition is coming out October 19, 2021. The edition includes original JRR Tolkien illustrations for the first time in any edition of the series since 1954. The interesting fact is that despite the complexity of the story, Tolkien presents it in such a way that all of the different aspects of the story flow together fluidly. So much so that it seems like the story is relatively simple. And that only continues to prove that Tolkien really knows how to write a good story.

Since it was first published in 1954, The Lord of the Rings has been a book people have treasured. Steeped in unrivalled magic and otherworldliness, its sweeping fantasy and epic adventure has touched the hearts of young and old alike. Over 150 million copies of its many editions have been sold around the world, and occasional collectors’ editions become prized and valuable items of publishing. It comes in a slipcase and contains the Tolkien illustrations found in the regular Illustrated Edition, as well as "two poster-size, fold-out maps revealing all the detail of Middle-earth."

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One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them This new edition includes the fiftieth-anniversary fully corrected text setting and, for the first time, an extensive new index. The 1954 edition only features two illustrations from Tolkien, but this latest Lord of the Rings illustrated version has "30 other sketches, illustrations, and maps." Tolkien writes with a certain depth that I haven't seen in many other authors. Very few people can capture the essence of a story like he could. Tolkien had a gift, and he utilized it well. He wrote from his heart, and when authors write from their true feelings, it comes out more real than someone who, say, writes simply for money. The book as a whole is simply an almost flawless example of how books should be written. Not only does Lord of the Rings have just a good story and characters, Tolkien created numerous biblical parallels. This makes a work of fiction really come alive and feel much more relevant.

Two caveats to even to this: feathering alone does not definitely mean deformed metal type. Feathering,, or little veins and stream-like projects away from the character is often caused by excessive inking and watery ink, and also by cheap papers that are unsized (meaning a starch like substance is added during the paper's manufacture to prevent feathering and bleedthrough; newsprint is unsized and you can see how feathering works buy lightly touching a fountain pen to a piece of it for a minute or so). The other caveat is that some computer fonts, especially some high end ones for MAC typesetting systems, have been photographically captured/reproduced from books printed mostly before 1800, and their designers often deliberately retain some of the source type's imperfections (which are due mostly to the more primitive metallurgy of that era) to achieve a particular design effect. You might be surprised how much theory and psychology underlies type-design and typography; there is a lot. Need a dissertation topic? J.R.R. Tolkien (1892-1973), beloved throughout the world as the creator of The Hobbit, The Lord of the Rings, and The Silmarillion, was a professor of Anglo-Saxon at Oxford, a fellow of Pembroke College, and a fellow of Merton College until his retirement in 1959. His chief interest was the linguistic aspects of the early English written tradition, but while he studied classic works of the past, he was creating a set of his own.The art by Tolkien has appeared in print before, most notably the hardcover "Pictures by JRR Tolkien" first published in 1979, the book itself a collection of illustrations printed in "a series of calendars" printed earlier in the 1970s. Sumptuous slipcased edition of Tolkien's classic epic tale of adventure, fully illustrated in colour for the first time by the author himself. This deluxe volume is quarterbound in leather and includes many special features unique to this edition. Since it was first published in 1954, The Lord of the Rings has been a book people have treasured. Steeped in unrivalled magic and otherworldliness, its sweeping fantasy and epic adventure has touched the hearts of young and old alike. Over 100 million copies of its many editions have been sold around the world, and occasional collectors' editions become prized and valuable items of publishing. That brings me to how Tolkien handles dialogue. There are many passages where Tolkien uses long passages in dialogue to convey information while using only simple dialogue tags to portray the action. Some may say that the long passages are boring and detract from the story, but I say it only goes to enhance the story and create even better character development. Each character has his or her own voice, and each talk differently. This added with the action taking place in the short sentences between dialogue allows the scene to flow easily with the action never stopping while we still get to know whatever information needs to be conveyed.

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