Star Trek VIII: First Contact 4K UHD [Blu-ray] [Region A & B & C]

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I’ve also just spent most of today on the phone with industry sources, gathering information for our big preview of 4K Ultra HD catalog releases that are coming in the second half of 2021. And that’s the crux of today’s post here at The Bits, but more on that in a minute. In addition to confirmation that the Star Trek: The Motion Picture – Director’s Edition is finally being restored in 4K Ultra HD (see our post here), Paramount Home Entertainment has officially announced that (as expected) the Star Trek: The Original 4-Movie Collection will indeed arrive in stores on 9/7 (9/6 in the UK, 9/8 in France, 9/9 in Germany). Plot: What’s it about? Video: How’s it look? Audio: How’s it sound? Supplements: What are the extras? The Bottom Line Plot: What’s it about? The audio mixes are effectively the same excellent lossless 5.1 Dolby TrueHD mixes that were released with the previous Blu-rays; however, this time it’s presented in 7.1 format. I will say I’m slightly disappointed they didn’t remix the movies in Dolby Atmos, but that isn’t a deal-killer by any means. The mixes were great in 2009 and still sound great on a modern surround system. For the first time ever, experience the original four Star Trek films in stunning 4K Ultra HD. Newly remastered from original elements for optimal picture quality, each film is presented with Dolby Vision® and HDR-10.

more vivid colors as required, offering plenty of tonal jolt and brilliance when the situation warrants. Meanwhile, GKids (via Shout! Factory) will release Ayumu Watanabe’s 2021 anime Fortune Favors Lady Nikuko on Blu-ray on 7/19.It’s worth noting that this is one the titles KLSC licensed as part of their recent deal with Paramount. So watch for more such titles to be announced in the weeks and months ahead. All this is desperate when you consider the Trek royalty that penned it: Ronald D. Moore and Brannon Braga wrote the screenplay, and are acutely aware of its issues, but due to the timing involved, they were writing All Good Things at the same time, and were given no time to flesh out the Generations script as the release date was already set, and sadly this shows in the finished product. Likewise, Jerry Goldsmith didn’t return to score the film, it therefore has no overarching theme or that resonance of score, and this really matters. They even re-use film footage of the Bird of Prey’s destruction! I alluded to this in my review of Star Trek: Generations, but the Trek motion pictures have a different look and feel to them. The warm, natural hues found on the television show have been replaced by a more dark, corporate look that gives the film a bit of an edge. The big difference to me was the color. It’s taken me several years to accept that the main draw with 4K film isn’t so much the picture quality (detail), but rather the increased color spectrum. Others might have figured this out years ago, but I’m slow. That said, it’s a step above the Blu-ray and it’s what fans have been waiting for, to be sure. Audio: How’s it sound? Besides, if Paramount released a 10-film 4K remastered box set first, people would b—- that it’s too expensive and they only wanted one or two of the films. The more of you who buy this first set now, the more comfortable Paramount will be in continuing to spend the money to release them all. Meanwhile, we expect Paramount to release Star Trek V: The Final Frontier, Star Trek VI: The Undiscovered Country, and the Star Trek: The Motion Picture – Director’s Edition on physical 4K UHD and remastered Blu-ray in September. We would expect an official announcement on that front sometime in the next month or so.

An 8-disc set, it will include the newly-remastered films in BOTH 4K Ultra HD and Blu-ray Disc formats (scanned in 4K from original elements), along with Digital codes for the Theatrical Cuts of each film. The remastered films will also be available as Blu-ray singles. That’s a lot of rich material for this film to play around in, but unfortunately, it doesn’t give much for the rest of the crew to work with. That's my lone complaint about this adventure. By and large Frakes’ Riker, Burton’s Geordi, Dorn’s Worf, McFadden’s Crusher, and Sirtis’ Troi are mere pawns to simply move around from one plot point to the next. They’re not really there to expand their characters but to inhabit space so side characters like Alfre Woodard’s Lily and James Cromwell’s Zefram Cochrane can explore weightier issues of honor, duty, and legacy. Hot on the heels of the breaking news about Star Trek: The Motion Picture — Director’s Edition getting an unexpected facelift to 4K, Paramount Home Entertainment has formally announced the heavily-rumored addition of the first four Star Trek films to hit the Ultra-HD format as well! The story involves a peculiar space phenomenon called the Nexus, a powerful ribbon of energy that 'mad scientist' Soren, having been caught in it previously, is redirecting so he can return into it, but in doing so will have the unfortunate side-effect of eliminating millions of lives. The Enterprise D is called in to save the day but is unable to do so without the help of Kirk, himself lost to the Nexus some seventy-eight years previous. Ploughing through plot holes, contrivances, the destruction of the Enterprise D and the (second) death of Kirk bring this rather horrible mess to a close with barely a ripple in the grand design of the universe.Dolby Vision gives depth and vibrancy to the colours, the deep greens of the Borg lighting contrasting against the lush greenery of the forests, reds and blues sharing a resonance, while phasers and blasts beam from the screen. Flesh tones are natural, and everything has a pleasing hue.