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We all still had the image of Bryan shaving his body in Malcolm in the Middle,” a former AMC executive told The Hollywood Reporter about their initial reluctance to cast Cranston. “We were like, 'Really? Isn't there anybody else?’” But Gilligan had worked with Cranston before, on an episode of The X-Files, and knew he had the chops to navigate the quirks of the part. The network brass watched the episode, and agreed. McFarland, Kevin (August 6, 2013). "The Writers' Strike of 2007–08 Changed Breaking Bad for the Better". The A.V. Club. Archived from the original on September 10, 2013 . Retrieved August 31, 2013. Normally I'm very nice on set and amenable to talking to folks, but this day I didn't talk to anyone,” he adds. “I was very, very, very quiet. And I let the whole world spin around me, because I knew that I wanted to be so focused and I didn't want anything to take me out of that. So that sort of became the way I worked. And, you know, if you talk to Bryan, he'll tell you that sometimes he was frightened by that. He's said I'd look into his eyes, and my eyes would just go dead. I wouldn't be there anymore. And that's part of what I do.”

Chisum, Jeffrey (November 22, 2019). "The Macbeth of the American West: Tragedy, genre and landscape in Breaking Bad". SAGE Publishing. 14 (4): 415–428. doi: 10.1177/1749602019872655. S2CID 214260295. Nevins, Bill (March 27, 2013). "Contemporary Western: An Interview with Vince Gilligan". Local IQ. Archived from the original on April 3, 2013 . Retrieved May 31, 2013. Michael Slovis was the cinematographer of Breaking Bad, beginning with the second season, and he received critical acclaim for his work throughout the series. Critics appreciated the bold visual style adopted by the TV series. Although series creator Vince Gilligan and Slovis wanted to shoot Breaking Bad in CinemaScope, Sony and AMC did not grant them permission. Gilligan cited Sergio Leone's Westerns as a reference for how he wanted the series to look. [62] Slovis received four Primetime Emmy Award nominations for Outstanding Cinematography for a One Hour Series and Outstanding Cinematography for a Single-Camera Series. [63]a b Harnish, Falk; Salthammer, Tunga (August 2013). "Die Chemie bei Breaking Bad: Ein Chemiker als Serienprotagonist"[The chemistry of Breaking Bad: A chemist as the protagonist of the series] (PDF). Chemie in unserer Zeit (in German). 47 (4): 214–221. doi: 10.1002/ciuz.201300612. Archived (PDF) from the original on September 17, 2020 . Retrieved July 7, 2020. English Version Retrieved September 5, 2022. Bob Odenkirk as Saul Goodman (seasons 3–5; recurring season 2),a crooked strip mall lawyer who represents Walt and Jesse. Odenkirk drew inspiration for Goodman from film producer Robert Evans. Beyond appearances in Better Call Saul and El Camino, Cranston reprised his role as Walter in a commercial for Esurance which aired during Super Bowl XLIX, one week before the premiere of Breaking Bad spin-off Better Call Saul. [199] Another ad for PopCorners, featuring Cranston, Paul, and Cruz reprising their roles and directed by Gilligan, aired for Super Bowl LVII. [200] Tributes from Albuquerque [ edit ] Main article: List of characters in the Breaking Bad franchise Breaking Bad cast and crew (left to right): creator Vince Gilligan, RJ Mitte (Walter Jr.), Aaron Paul ( Jesse Pinkman), Anna Gunn ( Skyler White), Bryan Cranston ( Walter White), Dean Norris ( Hank Schrader), and producer Mark Johnson Main characters [ edit ]

Aaron Paul's casting was also initially questioned by production, as Paul looked too old and too much like a "pretty boy" to be associated with meth cooking. Gilligan reconsidered Paul's skills after seeing his audition and recalling he had also had guest starred on The X-Files episode " Lord of the Flies". [27] Gilligan originally intended for Pinkman to be killed at the end of Breaking Bad 's first season in a botched drug deal as a plot device to plague Walter White with guilt. However, Gilligan said by the second episode of the season, he was so impressed with Paul's performance that "it became pretty clear early on that that would be a huge, colossal mistake, to kill off Jesse". [49] Similarly, Dean Norris had shown his ability to be a law enforcement official in The X-Files episode " F. Emasculata", and was brought on to be Hank Schrader, Walter's brother-in-law and DEA agent. [50] Scientific accuracy [ edit ]Of course, the Roomba plays a role in the plot, when Jesse searches for his missing ricin cigarette and the little robot might have the answer, and there’s something vaguely sinister about the way the machine carries on about its business whatever is going on around it. Perhaps - knowing this show - it's a message: the world carries on with very little regard for what we think is the desperately important business of our lives. In a 2018 cast reunion, Aaron Paul commented "Why did our audience not sympathize with this poor woman? I really felt for Anna, because she's just such a beautiful human inside and out, and she played Skyler in such a fierce way, and people just dragged her character the most." [188]

Vince Gilligan Explains Why Breaking Bad Is Called Breaking Bad". American Film Institute. June 4, 2010. Archived from the original on July 29, 2018 . Retrieved November 17, 2010. Law enforcement authorities have reported occasional instances of seizing blue crystal methamphetamine in drug-related arrests and raids. The appearance of "blue meth" in real-world drug use has been attributed to Breaking Bad's popularity. [197] Ross Douthat of The New York Times, in a response to Klosterman's piece, compared Breaking Bad and The Sopranos, stating that both series are " morality plays" that are "both interested in moral agency". Douthat went on to say that Walter White and Tony Soprano "represent mirror-image takes on the problem of evil, damnation, and free will". Walter is a man who "deliberately abandons the light for the darkness" while Tony is "someone born and raised in darkness" who turns down "opportunity after opportunity to claw his way upward to the light". [79] Devotion to family [ edit ] Initially, Giancarlo Esposito wasn’t interested in taking on the role of Gus Fring, which was a much smaller part in the beginning. “I had not seen Breaking Bad, but my manager at the time told me it was his favorite show,” Esposito told TIME. “My wife said I should I try it, but it was a guest spot and I’ve done a lot of guest spots. I wanted to develop a character. But I did one episode and then I agreed to do two more with the caveat that I wanted to be part of a filmmaking family.” a b Ginsberg, Merle (July 16, 2011). " 'Breaking Bad' Star Bryan Cranston on Walter White: 'He's Well on His Way to Badass' (Q&A)". The Hollywood Reporter. Archived from the original on July 20, 2011 . Retrieved July 26, 2011.

Bryan Cranston’s shaved head made him cold

A recurring symbol within Breaking Bad is the use of color, particularly the characters' color for wardrobe, being used to represent a character's state of mind or a relationship between characters or to foreshadow an event. [103] In an interview with Vulture, Vince Gilligan says "Color is important on Breaking Bad; we always try to think in terms of it. We always try to think of the color that a character is dressed in, in the sense that it represents on some level their state of mind." [104] Walt Whitman [ edit ] Dixon, Kelley (September 30, 2013). "Breaking Bad Insider Podcast" (Podcast). iTunes Store. Archived from the original on December 25, 2013 . Retrieved December 3, 2013.

The writers’ strike, in a sense, didn’t save him, because I knew by episode two—we all did, all of us, our wonderful directors and our wonderful producers,” Gilligan said. “Everybody knew just how good [Aaron Paul is], and a pleasure to work with, and it became pretty clear early on that that would be a huge, colossal mistake to kill off Jesse.” We collect data on your shopping behavior, to present you with useful marketing content such as promotions. Need a beard like Walter White in the last few episodes? This brown beard and mustache is the perfect disguise accessory. Pride/hubris is a major theme in Walter White's tragic character arc. In an interview with The Village Voice, Gilligan identified the tipping point at which Walt "breaks bad" as his prideful decision not to accept Gretchen and Elliott Schwartz's offer to pay for his chemotherapy (season 1, episode 5): Neuman, Clayton (November 12, 2009). "Q&A– Jonathan Banks (Mike "The Cleaner")". AMC. Archived from the original on August 9, 2011 . Retrieved December 20, 2011.We collect data based on your browsing and shopping behavior to be analyzed for various purposes, such as providing a better shopping experience to our customers.

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