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Cinematographer Larkin Seiple captured Everything Everywhere All at Once digitally in ARRIRAW format at 2.
Europe's busiest forums, with independent news and expert reviews, for TVs, Home Cinema, Hi-Fi, Movies, Gaming, Tech and more. First landing in theaters on March 25, following a debut at where else but SXSW, the imaginatively colorful movie soon climbed to the top of must-see lists everywhere. As any good Douglas Adams fan can tell you, improbability can be infinite, and untangling all of those improbabilities is what makes Everything so fun to watch, and even more fun to rewatch. It’s pretty entertaining in its own right, since it respects the freewheeling nature of the film itself by being equally unhinged—at one point, the Daniels openly mock the blasé nature of the EPK interview process by answering questions in character as a part of the rock universe.And somehow, amid all the visually stunning chaos, the filmmakers reveal a tender, moving portrait of modernity. Being a character-driven feature, every conversation and line of dialogue always takes top priority, coming in loud and clear even during the loudest, most outrageous segments.
They’re inevitably forced to jump from thought to thought while the film jumps from multiverse to multiverse, but it’s still a fascinating commentary track for anyone who wants to dig deeper into the thought processes of the Daniels, with all that entails. Impressively, Everything Everywhere All at Once wasn’t just the Little Engine That Could, it also became the Little Engine That Did.
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