Catch Bull at Four

Product Information

In the United States the album spent three weeks at number one on the Billboard 200. It also reached number one in Australia and Canada and became Stevens's second consecutive album to reach number two on the UK Albums Chart. The song "Sitting" was released as a single in 1972, reaching 16 on the Billboard Hot 100. All told, I think that Catch Bull At Four is more interesting than Teaser, though tune for tune it is far less memorable. With Mona Bone Jakon and Tea for the Tillerman I was content to bask in gorgeous melody and orchestration. The economy and simplicity of Teaser I admired more than I liked. But what could come next, if Cat continued in this direction? Though Catch Bull doesn't answer this question definitively, I think it represents Cat's challenge to himself to transcend poetic eccentricity and come out front with a clearer, more unified, more emotionally direct expression of what he is about. I hope he continues to wrestle with this challenge, even if its outcome is more truth and less beauty.

Cat Stevens, today known as Yusuf, marked the 50th anniversary of his first three Island/A&M albums (1970's Mona Bone Jakon and Tea for the Tillerman, and 1971's Teaser and the Firecat) with a variety of releases including expansive super deluxe box sets. For 1972's Catch Bull at Four, the troubadour is taking a distinctly slimmed-down approach. On December 2, Island and A&M will reissue Stevens' classic album on CD, LP, and digitally, newly remastered from the original tapes but with no additional material. Records the default button state of the corresponding category & the status of CCPA. It works only in coordination with the primary cookie. Feel free to give your general thoughts on the album! I'd also appreciate any help posting pics of the album or related materials. Stevens played a huge range of instruments throughout the LP, mostly stringed instruments and keyboards of many kinds, but also including pennywhistle, drums, and percussion. Other standouts in the set included the Greek-Latin “O Caritas,” with bouzouki by Andreas Toumazis, and “Sweet Scarlet,” written for his girlfriend of the time, Carly Simon (who had earlier composed her hit “Anticipation” about waiting for him to arrive at her house for a date). amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br 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Stephen Holden, reviewing Catch Bull At Four for Rolling Stone, wrote that it was “impeccably produced. Its musical contents are like those of Teaser and the Firecat — simple, short-phrased melodies and spare and vibrant arrangements. There are, however, notable differences between Catch Bull and its predecessor. The instrumental repertoire has been widened somewhat: three cuts make minimal use of a synthesizer, and on four cuts Cat plays piano. The result is a definite relaxation from the rigorous simplicity of Teaser.” amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br 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Album Search: Cat Stevens – Catch Bull at Four" (ASP) (in German). Media Control . Retrieved 24 February 2012. [ dead link]

Simultaneous with the release of Cat Stevens' new album on A&M;, Columbia has released a pleasing first solo effort by Alun Davies, second guitarist on Cat's records from Mona Bone Jakon on. amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br 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Catch Bull at Four, the title of which was inspired by Kuòān Shīyuǎn's series of short poems "Ten Bulls of Zen," matched or bettered the success of its predecessor Teaser and The Firecat. Whereas Teaser had reached No. 2 in both the U.K. and U.S., Catch Bull peaked at No. 2 in the U.K. and No. 1 in the U.S. (where it occupied pole position for three weeks and earned a Platinum sales certification). It also topped the album charts in Canada and Australia. The single "Sitting" didn't fare as well in the U.S. as "Wild World," "Peace Train," or "Morning Has Broken," but enjoyed a more-than-respectable top twenty berth on the Hot 100 as well as the AC chart. Les Albums (CD) de 1972 par InfoDisc" (in French). infodisc.fr. Archived from the original (PHP) on 9 February 2012 . Retrieved 11 February 2012. Fans also speak with great fondness of the simple, acoustic tale of “Boy with a Moon & Star on His Head,” in which the truth is spoken by the child, not the adults. “Children are closer to it, whatever it is, that we are from,” Stevens mused to Rolling Stone the following year. “I hate it when they are ruined by things like fashion.”Jeremy Taylor – Spanish guitar, (assisted in translating "O' Caritas" into the Latin language used in the song). [5] Pennanen, Timo (2021). "Cat STEVENS". Sisältää hitin - 2. laitos Levyt ja esittäjät Suomen musiikkilistoilla 1.1.1960–30.6.2021 (PDF). Helsinki: Kustannusosakeyhtiö Otava. p.246 . Retrieved 15 June 2022.

Dutchcharts.nl – Cat Stevens – Catch Bull at Four" (in Dutch). Hung Medien. Retrieved 17 June 2022. In the United States the album spent three weeks at number one on the Billboard 200. It also reached number one in Australia and Canada and became Stevens's second consecutive album to reach number two on the UK Albums Chart. The song "Sitting" was released as a single in July 1972, reaching 16 on the Billboard Hot 100. The tone of side one is tentatively happy. It begins with "Sitting," which has Cat on piano and electric mandolin, and Davies on guitar. The song's circular melodic patterns aptly express a resigned but not hopeless personal philosophy: "Just keep on pushing hard, boy, try as you may/You're going to wind up where you started from.""The Boy with the Moon and Star on His Head" is a silly narrative "legend," styled after a typical "olde" English country ballad, about a luminescent illegitimate "love child.""Angelsea,""Silent Sunlight," and "Can't Keep It In" are celebratory meditations, the first two carrying Cat's elusive, sometimes shimmering visual imagery. Sound effects—muted synthesizer on "Angelsea" and penny whistle on "Silent Sunlight"—are used with delicacy and taste. "Can't Keep It In," the most openly joyous cut, fittingly closes the side. The propulsive energy generated by Stevens' and Davies' dual acoustic guitars is considerable, as Cat sings his outbursting message with infectious gusto. Stevens' sixth overall studio album, Catch Bull at Four welcomed Paul Samwell-Smith and guitarist Alun Davies from the artist's first three albums, lending a strong sense of continuity to the records. Drummer Gerry Conway had also played on Teaser and the Firecat. Stevens rounded out the band with bassist Alan James and keyboardist Jean Roussel. Top 100 Album-Jahrescharts" (in German). GfK Entertainment Charts. 1973. Archived from the original on 23 May 2021 . Retrieved 2 April 2022.Catch Bull at Four is the sixth studio album by Cat Stevens. The title is taken from one of the Ten Bulls of Zen (a series of short poems and accompanying drawings used in the Zen tradition to describe the stages of a practitioner's progress toward enlightenment, and their return to society to enact wisdom and compassion.)

Joining him again, as on the previous three LPs, were producer, and former member of the Yardbirds, Paul Samwell-Smith and guitarist Alun Davies. The studio band also featured drummer Gerry Conway, who played on Teaser and the Firecat, bassist Alan James, and keyboardist Jean Roussel.a b Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book. 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Catch Bull At Four, first released in the fall of 1972, was Stevens’ sixth studio album and fourth on Island Records (A&M in the US) following 1970’s Mona Bone Jakon and Tea for the Tillerman and 1971’s Teaser and the Firecat. As he joined the vanguard of British artists around the world, his album successes were augmented by a string of hit singles including “Father and Son,” “Wild World,” “Where Do The Children Play?”, “Morning Has Broken,” and “Peace Train.” The Official Charts Company – Cat Stevens – Catch Bull at Four" (PHP). Official Charts Company . Retrieved 24 February 2012. Cat Stevens’ 1972 album, Catch Bull At Four, is getting a newly remastered edition for its 50th anniversary. The title, which marked the singer-songwriter’s most successful chart album, is available on vinyl for the first time since its original release. Catch Bull At Four, which includes such favorites as “Sitting” and “Can’t Keep It In,” has also returned to CD for the first time since its reissue in 2000 and the new remaster is also available for streaming in both standard and stunning hi-resolution audio. All formats were released Dec. 2, 2022, via A&M/UMe. The title follows the expanded 50th anniversary editions of Yusuf / Cat Stevens’ seminal albums Mona Bone Jakon, Tea for the Tillerman, and Teaser and the Firecat.