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Blankets

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Blankets. Pod śnieżną kołderką (Polish edition) ISBN 83-922963-7-0, Timof i Cisi Wspólnicy, December 2006 I can’t describe it properly, and hopefully people who are familiar with graphic novels will understand what I’m trying to say, but emotional scenes in graphic novels seem to somehow create a sense of distance (minimal words telling you how you should feel) and intimacy (almost like you’re looking through their living room window as their world falls apart) that other books can’t seem to recreate.

Arnold, Andrew. (December 18, 2003). "Top 10 Everything 2003: 1. Blankets by Craig Thompson". Time. accessed September 21, 2011. This graphic novel won two Eisner Awards, three Harvey Awards, and two Ignatz Awards in 2004 and a Prix de la critique for the French edition a year later. A strict Christian evangelical family raises two sons in rural Wisconsin; we watch the boys grow up, from sleeping together in the same room/same bed they move to their own rooms, go to summer camp, get harassed at school, romance a girl. When you started Blankets in the ‘90s, what was the initial inspiration? Was it the romance? Was it wanting to write about your family? Raina: Craig's first love, a fellow Christian whom Craig first meets at a church camp. Like Craig, her family is not well-off financially, and her parents' divorce causes her stress. She also takes care of her mentally disabled sister and brother. Although she believes in God, she does not believe as strongly as Craig does.I will say immediately that Thompson does not give answers to these questions. I do not finish the novel knowing. Actually, I finish the novel not really even knowing what to think, or how to think. Rather, I am immersed in feeling. “Blankets” is one of its own titular objects – the language and art wrap around me as I read, muting the harshness of the outside. Thompson takes me in and makes me experience the memories, the cold, the internal conflict. It’s honestly hard to describe. (I’m clearly struggling here – how do I express with words what art does to the way I feel, without destroying that very feeling with particularities?) And the whole while, my anger kindled toward an institutionalization of faith whose expression was not compassion, not mercy, not love. That Craig lived in a locale whose cutural acumen was bent toward a fear and persecution of that which skewed from the status quo is a horror that can be understood (while still remaining a horror). That his subculture should behave identically, built on a foundation of fear when it ought to be built on joy, peace, and love is terrifying. Thompson's work engaged in me a fury for a people and place with which I have no experience. They may not even exist as he portrayed them, but at the least, it is a challenge for me to not hate these characters who actively tear down Craig's life even from a young age. And as someone who actively tries not to hate anyone, consider this a testament to the veracity with which Thompson draws out Craig's life and circumstance. Yet I say perhaps , because I do not know. I am from San Diego and have never experienced what I’ve just described. I can only imagine what it must feel like, that stillness, that quiet, that cold. There is no real memory of this that exists for me.

Graphic novels are basically non-existent in my literary diet, so it’s difficult for me to review this one. I really have no ‘gold standard’ against which to compare. However, I can say that I found this one impressive. As Craig leads us through his path from childhood to adulthood, many themes are examined. Tough themes. The things that happen to us and make us who we are today. Nothing is brushed over lightly, including religious fundamentalism, child abuse, bullying, divorce, disabilities, faith, and first love. Thank goodness for those special people in our lives who help us to make it through the torment of childhood and the teen years. But even those relationships have their trials and mistakes, and at some point good things may come to an end. ‘First love’ has a certain connotation to it, doesn’t it? It’s not something I’d want to live through again, that’s for sure. Despite the sweetness of the term, it can be confusing and agonizing whether it ends abruptly or fades away slowly. a b c Mechanic, Michael. "Craig Thompson—The Devil Made Me Draw It". Mother Jones. September/October 2011The artwork in Blankets is also a patchwork quilt of gorgeous, sweeping, romantic images of the natural world (snow, trees, weather), likening it to patterns in Raina’s dress and hair, open and free and spacious and lovely in contrast to the darker, more sinister patches of his oppressive house and Sunday school. There’s also an emblem or mark that weaves its way through the book, present whenever Craig recognizes something as sacred. At one point that essentially Calvinist-raised Craig even forgives himself enough for his transgressions to even share a halo with Raina. Through her, rather than earning Hell, he achieves the sacred with her for a brief time. Wow. Every bit as earthshaking and meaningful as Marjane Satrapi’s Persepolis: The Story of a Childhood, this graphic novel by Craig Thompson published in 2003 by Top Shelf is one thoughtful Americans do not want to miss. Christian evangelical notions of life on earth and what comes after are a huge part of the narrative of our nation. Even today when our population is more diverse than ever, the history of these core beliefs within our citizenry continue to affect the direction of our politics. Ocr tesseract 5.0.0-1-g862e Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Japanese Ocr_detected_script_conf 0.6508 Ocr_module_version 0.0.14 Ocr_parameters -l eng Old_pallet IA-WL-1200080 Openlibrary_edition I feel saying whether I loved these illustrations will be redundant because it’s safe to say I love all illustrations. Being raised in a born-again family - which is well-portrayed in this book - is not a foreign concept to me. I've spoken before about how damaging the church's messages about sexuality are. We always think of women being oppressed, repressed, damaged, and unhappy as a result of this message, but as I wrote in my review of TAKE MY HAND, men and boys are very hurt and damaged as well.

In late 1999, Thompson began work on the graphic novel, which was published three and a half years later in 2003. [1] Thompson produced the book as a way of coming out to his parents about no longer being a Christian. [2] Main characters [ edit ]WW : As a younger reader, I saw Blankets as a love story. With more years behind me, I see it as a story about how one of the greatest acts of love can be letting go—of a person, a relationship, of a time in your life. This book is a masterpiece of form, symbol, and structure. Tokens bend and writhe and carry narrative significance throughout. Thompson's art here is fluid and is of that less-polished variety found also in Goodbye Chunky Rice and serves well to establish the variety of moods described in his several vignettes. As a child, I thought that life was the most horrible world anyone could ever live in, and that there HAD to be something better." Très belle! And for those of you who have developed a love for the grown-up coloring book? You could defile the crap out of Mr. Thompson’s creation : ) I really liked this book. The illustrations are pretty, which counts for a lot. The story is very relatable for anyone who has been or has dated a born-again Christian. I thought Craig and Raina's story was touching and (not surprisingly) realistic. I was rooting for Craig to make peace with his sexual feelings towards Raina during the whole book, and really cheering them on as a couple. It could have easily gone either way.

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