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This Barbie may be a mermaid, but she’s more than that; she’s a movie star. Dua Lipa’s Mermaid Barbie appears to be based on the character Nori from the 2006 animated film Barbie: Mermaidia. Here’s what we know for sure: In Barbie, our protagonist finds herself losing her grip over her inherent Barbie-ness. “Do you guys ever think about dying?” she asks during one of her classic blowout parties, earning stunned, judgment silence in response. Dolls don’t die! Matters only worsen from there: Suddenly, her fake shower is freezing; she falls, rather than floats, from her rooftop into her convertible; her feet slump from their iconic arch. To remedy this imperfection, she’s instructed to explore the “real world,” so she can know “the truth about the universe.” But Barbie isn’t just about the Barbies. Emerald Fennell and Michael Cera star as Midge and Allan, respectively. Midge and Allan are married friends of Barbie and Ken’s who were followed by a pregnant Midge doll in 2002. The pregnant Midge, who wears the same color that Fennell is wearing here, was pulled from Walmart after parents complained about the pregnant doll.
Barbie also has a collection of her most popular songs that you can sing along with. Sing Along with Barbie is a karaoke movie. Sing along with lyrics on the screen to twelve memorable Barbie songs from popular Barbie films. Laugh With Barbie Barbie herself is living her best life in her perfect Barbie world, partying of an evening with Barbies who are political leaders, supreme court judges and Nobel laureates (including Dua Lipa and Issa Rae), and a castrato chorus of beach-bunny Ken clones (including John Cena and Simu Liu) and Ken’s gloomy beta-male mate Allan (Michael Cera) when suddenly she is assailed with the terrible thought of dying. In Barbie and the Sensations, the band is beloved by fans worldwide, and Barbie takes on the role of ambassador for world peace. Sing along with Barbie So, then, what is Barbie about? My hope is that actually watching the plot play out will only heighten the debate. The film’s IMDb logline encourages that possibility: “Barbie suffers a crisis that leads her to question her world and her existence.” If Barbie’s questioning herself, why would we not want to do the same?The other Kens are less referential. As each of their taglines note, these Kens are just other Kens. Gatwa is in a country-themed outfit, but it doesn’t look much like the Grand Ole Opry Ken, and the others are similarly in the “Ken vibe” without being direct references to real Ken dolls of yore. Like its predecessor, it is an animated series created by Mattel with 2 seasons streaming on Netflix. Barbie Vlogger Then there’s James Bond, the most pre-aware franchise of all. For years, there has been talk of bringing in smart new writers to shake it up and be more funny and self-aware. Danny Boyle was (briefly) invited to take the 007 helm, but disinvited when he had his own ideas about script. Phoebe Waller-Bridge was supposed to be adding extra humour and zip. But how much did she really contribute? The 007 brand of course has little tics and quirks of humour, but it is fundamentally serious. Too much comedy and it just becomes Austin Powers. This show introduces viewers to magical creatures and different kingdoms, such as Sparkle Mountain, Rainbow Cove, and Sweetville.
For months, the Barbie movie’s vast unknown has been one of its greatest assets. What little we understood amounted to a pair of highlighter-yellow rollerblades, dangled aloft by the spray-tanned arms of a bleached-blond Ryan Gosling: nostalgic, symbolic, a triumph of marketing honed along a (plastic) razor’s edge. Every new set photo, character poster, and teaser trailer that collected over the months leading up to Barbie’s July 21 release has been received and dissected with the self-serious thrill of an 8-year-old planning their themed birthday party. Which, to be clear, is exactly as it should be. Questioning Barbie, like assembling an identity as a child, is a necessary pursuit. This is what movies like Barbie—and icons like the doll herself—are made for: both the indulgent pleasure and the outrageous nuance of mythologizing. The logline attached to the full Barbie trailer lays out an intriguing path for Ken, Barbie’s eternal boyfriend: “To live in Barbie Land is to be a perfect being in a perfect place. Unless you have a full-on existential crisis. Or you’re a Ken.”The secrets of director Greta Gerwig’s long-anticipated film are, in fact, starting to dissolve: The Los Angeles premiere prompted a round of spoiler-free first reactions (mostly positive), and the official critic review embargo is reportedly up soon. But even with the film finally accumulating eyeballs, there’s still a collective sense of protectiveness over the Barbie brouhaha. We don’t want the mania to break, not yet. There are still ample dopamine deposits to be discovered in deliberating what, precisely, Barbie has to say. After a promotional music video dropped yesterday featuring Gosling’s Ken serenading his second-rate status, one particular TikTok comment best summarized this feeling: “Every time I see a trailer for this movie I am more confused but I also want to see it more.” Family movies about toys are attractive to studios because you don’t have to work hard to tell a story afresh. Audiences don’t have the workload of not knowing, as the film begins, what is going on. Depressing, yes. It could well be an apocalypse of dumb – a further lurch away from the decent Hollywood tradition of making midmarket dramas about grownup people with grownup actors with well-made scripts. We can’t talk about Barbie without talking about the marketing of Barbie. It is everywhere: on Krispy Kreme donuts and Ruggable rugs and OPI nail polish and GAP T-shirts and toothbrushes and luggage and pool floats and ice cream and frozen yogurt and makeup and cars and blankets and hairbrushes and heels. Her Dreamhouse is on Airbnb. Every publicist pushing sunglasses or sex toys has retooled their strategy around “Barbiecore” for the summer. I have never worn so much pink in my life.
These episodes provide side stories and extensions to the characters and experiences featured in the animated TV series. You can stream 2 seasons of Barbie Vlogger on Prime Video. Barbie Dreamtopia While they try to find out how to get little Peggy home, Malibu, Brooklyn, Malibu’s sisters, and Ken have to protect their four-legged friend from a Glyph trying to steal the little horse’s wings. Barbie: Life in the Dreamhouse Thus far, we’ve had such fascinating theories on the objective of her eponymous film: 1) It’s about having an existential crisis (and also, death).Greta Gerwig has additionally populated her film with a freakish amount of Barbies in professional careers, including a doctor, a Supreme Court justice, a diplomat, a lawyer, a Pulitzer Prize winner, a Nobel Prize–winning physicist, and a celebrated author. Y’know, easy stuff. Barbie’s first-ever job was in 1960, when she was a fashion designer, and the following year she was an airline stewardess. The level at which these Barbies have received accolades is a little cheeky (real Barbie was once a judge, but she was never officially in the Supreme Court, for example). Moreover, it’s a movie co-produced by Mattel that takes pains to satirize Mattel. Various one-liners target its power, its keenness to convert everything into product, its profit motive, even its nascent film studio (which, on the heels of the Barbie movie, has a sinister 45 toy-based projects in development). The film’s Mattel HQ is a photo-negative of Barbieland — gray, byzantine, soulless, male. Its chief executive, played by Will Ferrell with Mugatu-esque comic commitment, is vain and foolish to the nth degree.
Young girls] are “funny and brash and confident, and then they just—stop,” Gerwig told Vogue in May. “How is this journey the same thing that a teenage girl feels? All of a sudden, she thinks, Oh, I’m not good enough.” It’s clear that a big chunk of Barbie’s aim is to explore why girls abandon not only their Barbie dolls, but some of the positive beliefs associated with them. We haven’t played with Barbies since we were, like, five years old,” a group of teens tell Margot Robbie’s Barbie in the film trailer. Her face falls. If girls don’t need Barbie, what does she exist for? And who (or what) do they turn to instead? What happens to a girl to make her abandon what was previously such a source of enrichment? What does it mean to age, when Barbie herself cannot? 6) It’s about ... Barbie.
As a spin-off ofBarbie Dreamhouse Adventures, Barbie Dreamhouse Adventures Go Team Roberts!continues to follow the adventures of Barbie and her friends. Barbie: Life in the Dreamhouseis an animated comedy series that aired from 2012 to 2015 for a total of 7 seasons. Set in a doll-sized version of Malibu, the show features Barbie, her friends, her sisters, and her boyfriend, Ken, all as dolls. Even if Barbie doesn’t lay out its “men are problematic” bent quite so literally, it’s already clear Gosling’s performance is one of the best of the film. If that’s the case, there’s one hell of a debate to be had over why Ken’s character arc is so essential to our understanding of Barbie herself. 3) It’s about the inescapable clutch of corporations.
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